1960年代，韩战暂停，越战正炽，美国派军驻扎在台湾岛上，让这个原本在威胁下岌岌可危的小岛，有了喘息的机会。 　　杰，一个刚考上国营电台播音员的台湾青年，有一个曾因政治思想入狱的父亲。为了得到全新的人生，杰假造了自己的出生证明，试图成为新社会的一份子。在美军俱乐部中，杰遇见尼克，一个已婚的美国军官。尼克曾在越南爱上同袍，恋情曝光后被调来台湾，他原已下决心埋葬自己对男人的欲望，此刻却又爱上了同是伪装者的杰。杰与尼克在战火的夹缝中秘密相恋。然而，随着恋情的升温，两人的黑暗过去也逐渐显露，尼克将被调回美国，杰也失去了电台的工作。他们试图不顾一切地逃亡，然而爱情终究无法超越身份与命运的限制。 　　多年后，台美断交，尼克随着美军顾问团再度来台。满街抗议美国背信的人潮中，尼克与杰重遇。但时移事往，一切已难追回。

1960年代，韩战暂停，越战正炽，美国派军驻扎在台湾岛上，让这个原本在威胁下岌岌可危的小岛，有了喘息的机会。 　　杰，一个刚考上国营电台播音员的台湾青年，有一个曾因政治思想入狱的父亲。为了得到全新的人生，杰假造了自己的出生证明，试图成为新社会的一份子。在美军俱乐部中，杰遇见尼克，一个已婚的美国军官。尼克曾在越南爱上同袍，恋情曝光后被调来台湾，他原已下决心埋葬自己对男人的欲望，此刻却又爱上了同是伪装者的杰。杰与尼克在战火的夹缝中秘密相恋。然而，随着恋情的升温，两人的黑暗过去也逐渐显露，尼克将被调回美国，杰也失去了电台的工作。他们试图不顾一切地逃亡，然而爱情终究无法超越身份与命运的限制。 　　多年后，台美断交，尼克随着美军顾问团再度来台。满街抗议美国背信的人潮中，尼克与杰重遇。但时移事往，一切已难追回。

Dana是个失败的生物学家，她与几个同学一起穿越Dismal沼泽。这是一个充满生命的偏远地区，这里也充满了死亡，尽管他们遭遇了饿熊、毒蛇及致命的短吻鳄，但他们还未意识到真正的危险。在他们营地不远处，潜伏着一个……吃？或被吃？

Dana是个失败的生物学家，她与几个同学一起穿越Dismal沼泽。这是一个充满生命的偏远地区，这里也充满了死亡，尽管他们遭遇了饿熊、毒蛇及致命的短吻鳄，但他们还未意识到真正的危险。在他们营地不远处，潜伏着一个……吃？或被吃？

Acteurs Principaux : Eric Frey, Anne Petit Lagrange 　　Leading Cast 　　Réalisateur : Léo Scarax 　　Director 　　Scénario : Léo Scarax 　　Script 　　Chef Opérateur : Bertrand Chatry 　　Director of Photography 　　Production : Les Films du Lagon Bleu 　　Format : 35mm - Couleur 　　Durée : 16' 　　Length 　　Catégorie : Fiction - Comédies et Drames 　　Category 　　Prix : Grand Prix du CM au festival du Jeune 　　Awards Cinéma International de Hyères 1981 　　Une nuit très parisienne. Paul joue à étrangler Colette parce qu'elle ne lui inspire pas un foutu plan de cinéma. Au petit matin, il prend la fuite parce que l'avenir est à ceux qui se lèvent tôt. Etait-il trop tard ? C'est encore trop tôt pour le dire. 　　A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight because the future is for those who get up early. Was it too late ? It's too early to say.

影片入围第68届柏林电影节全景单元片单。《天空上三公尺》拉蒙·萨拉萨尔自编自导的新作，从小就被丢弃的琪拉在几十年过去后找到妈妈，并要求他在一处偏远的地方，和她共度10天时光.（胖鸟电影网）

Acteurs Principaux : Eric Frey, Anne Petit Lagrange 　　Leading Cast 　　Réalisateur : Léo Scarax 　　Director 　　Scénario : Léo Scarax 　　Script 　　Chef Opérateur : Bertrand Chatry 　　Director of Photography 　　Production : Les Films du Lagon Bleu 　　Format : 35mm - Couleur 　　Durée : 16' 　　Length 　　Catégorie : Fiction - Comédies et Drames 　　Category 　　Prix : Grand Prix du CM au festival du Jeune 　　Awards Cinéma International de Hyères 1981 　　Une nuit très parisienne. Paul joue à étrangler Colette parce qu'elle ne lui inspire pas un foutu plan de cinéma. Au petit matin, il prend la fuite parce que l'avenir est à ceux qui se lèvent tôt. Etait-il trop tard ? C'est encore trop tôt pour le dire. 　　A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight because the future is for those who get up early. Was it too late ? It's too early to say.

影片入围第68届柏林电影节全景单元片单。《天空上三公尺》拉蒙·萨拉萨尔自编自导的新作，从小就被丢弃的琪拉在几十年过去后找到妈妈，并要求他在一处偏远的地方，和她共度10天时光.（胖鸟电影网）

This is a rather schizoid movie as is evidenced by its two alternate titles "Blue Summer" on one hand, or "Love Truck", on the other. At times this seems like a typically stupid and painfully unfunny early 70's softcore sex romp with a lot of idiotic and unrealistic situations and some pretty unappealing actresses. The movie follows a pretty typical formula--two guys who have just graduated high school go off on a road trip in a customized van looking some female action, and fall into all kinds of increasingly absurd, but not particularly funny situations--and, of course, they have a lot of sex on the way. 　　There are places, however, where this movie really transcends its formulaic softcore origins. Reality intrudes in a couple places like the one another reviewer mentioned where a sexual tryst one protagonist is having with an older woman is interrupted by her son who's about the same age he is (and it's treated rather realistically and a little sadly, not in the comical way of something like "American Pie"). My favorite scene though, and really the one that makes the whole movie at all worthwhile, comes in the first half hour: the pair pick up a couple of female hitchhikers (the ONLY attractive women in this movie) and they having a long and surprisingly beautifully filmed double sex scene at a campsite while groovy early 70's music plays on the soundtrack. As unrealistic as the rest of the movie may be, this one scene really captures what it was like (or, at least, what I imagine it was like--this was ten or fifteen years before my time) to be alive and young in the early 70's. This scene alone might be worth seeing the rest of the movie.

A dark secret connects middle-aged Katze and Brauth. The former has the clue that his end is near. The two meet again after years to share their last days in the old house of their past. With three women they met on their way, the atmosphere begins to recur a second time. When artist Heinrich decides to attend, the friends have their last chance to renew and cut with the history and to settle an old score. In the melancholy of the near end, Katze passes again all the situations in his life. In the hour of death, he is not alone anymore. His body is gone and his soul stays back in the same place where his destiny and fulfillment occurred.